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In a word, it becomes, well… overplayed. It spent swlnging weeks in the top 10 and 20 weeks in the top 20, and in total stayed on the charts for 42 weeks before it was retired, making it the band's most successful single charting. Eleven weeks later, on September 17,the song entered the top 10 at its peak of No.
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Again, thanks so much for listening. Pianists might recognize this from that 5-finger scale they played when they were kids. Pete Wentz his long-time co-writer calls him a genius. It feels like comfort. Its airplay peak was No.
And the chorus is just 5 notes: You can also support this channel on Patreon at Patreon. I just saw Rose last week. I found a video of Postmodern Jukebox doing a vintage big band cover of this song. It feels like going home.
During this time, though, mainstream radio support came in, and while downloads were falling, airplay was able to help stabilize the song. That way, the song changes a little bit at a time, but keeps the familiarity from becoming boring. One reason is that the song establishes familiar patterns and then changes those patterns into new familiar patterns. But even after this song left the Top 10 and even after the emo people left their emo times, this song was still their 1.
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With the same digital download stats, but with an airplay panel to its advantage, the song reached a peak position of No. At this point, the song did not have much airplay but had relied on the strength of digital downloads alone, and it experienced a sales surge following the band's performance at the MTV Video Music Awards. But think about it, if one really good line is enough to get us used to this song, imagine what happens when you get 4 really good lines of notes 1, 2, 3, and 5 below 1 or 2 straight choruses in a row of notes 1, 2, 3, 4, and 5.