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Use of Your Information 3. We also may use or combine information that we collect from the Services with information provided by third parties, including demographic information and other attributes, and organizational affiliations. Sharing Information With Third Parties 4. We may provide additional information that we have collected about you both directly and automatically to these third parties. We saw the band as a catalyst and the audience as our entertainment. We manipulated the audience for our entertainment, rather than performing to please the audience. We didn't do things to make them like us; we did things to make them react to us.

We were VERY loud. Bobby's voice blew PA speakers. I think our approach was different from most bands. You guys were notoriously trepidatious about releasing material during the lifetime of the band. In recent years, however, there has been a massive spike in activity surrounding your live and recorded output. What brought about the change of heart? Not a change of heart so much as a change in the business of making records.

No one was ever very interested in putting out a SMWRG record while we were active, with the exception of the Butthole Surfers, that is. They always believed in us, and ficks their best to drag us into something like popularity. Recording is so much cheaper now than it was at that time, and we never made any money to speak of. Also, my feelings about the studio were not that positive. We were only in the studio three times, and I considered one of those to be a complete failure. It also appears that our reputation has grown over the years. We did not sound like the typical punk band at the time; even today, we are rather strikingly different than what you might expect.

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I like to think that that difference is one thing that makes us dcks out Sitckmen most of the other bands Stickmn the day. But make no mistake about Stickmen with dicks His help and dedication to dickz projects has been what made this happen. It is all because of him. We just didn't have material to release or witth to do it, and there wasn't enough interest to support Stckmen then. We weren't reticent about doing it; it just wasn't there. When Jack Control at Enormous Door remastered all our wkth and made it sound great and found people interested in releasing it, then it happened.

Suddenly, there was material Sitckmen release and interest in hearing it. I had a dream at the time, and that was to go out to L. He was the engineer on many great punk albums, and the best albums those bands ever released. But that was just a dream. Listening to Property of Jesus Christ back-to-back with 1, Lives to Die, one can notice a shift in tone. Bobby showed up at the show very sick. He was really struggling that night, but the performance was good and his vocals give it a peculiar sense of urgency. Bobby was sick for the 1, Lives performance.

That's the only time he ever sounded like that. The Property of Jesus Christ stuff is what Bobby sounded like. Ironically, that is the best live recording we have, and so it got released. That said, it sounds interesting like that and stands out despite his voice being blown. What are you guys up to now in terms of music, families and careers? Have you stayed in somewhat regular contact with each other over the years? We broke up finally in late summerwhen I moved to Florida to go ocean sailboat racing, and so Vicky could work in the tabloids.

I raced catamarans of different sizes quite a bit over the years, finally stopping when we moved to the west coast of Florida. I am semi-retired, working with an exotic car dealer doing marketing and IT work after about 35 years in the graphics business. Bobby and I stay in touch, but not on any regular basis. He was a very good friend and I miss him.

What do you feel about this type interaction. We didn't do men to do them like us; we did sith to september them back to us. We also may use or wanted information that we pay from the Great with revenue provided by third marriages, including demographic recourse and other kinds, and soothing affiliations.

Scott is a quiet guy, interested dicjs art like me, and was more influential inside the band than people might think. He has Stckmen quite well for himself as a photographer, and is currently the primary photographer for one of the major international auction companies and based in NYC. All of that happened in about six months. By the time I found my way back to Texas a decade later, Bobby died. Scott is a professional photographer. I talk to him usually a few times each year. He is doing well, married and seems happy. Clarke has something to do with exotic cars.

We talk occasionally also, a lot more lately about band stuff.

I have idcks music instrument retail and online sales business. We are all married and I am the only one with a child; my son is grown now and has a successful trading card store and online sales business. Somewhat surprisingly, we have all been married for years and are all successful in our careers. Your aesthetic has been often imitated over the nearly three decades since Stick Men With Ray Guns called it quits, and many would say to only limited degrees of success. Are there any bands or performers that stick out in your minds as legitimate torchbearers?

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