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About asking Tsen to kiss or touch a partner. Middle school is the age where sex-talk yooung in gender-segregated environments, like locker rooms and sleep overs. We also need to model how to talk about our crushes as whole people. They need a model for grown-ups who are doing things right. Explain that part of growing up is having changing hormones, and that hormones sometimes make it hard to think clearly. She tries to make out with his face some more and then they have this exact conversation: I thought you liked girls. I do like girls.

So you also like boys? But, on the other hand, she never expressly identified as a lesbian in the story, so maybe she was bi all along, and anyway, queer teenagers are really pushing back against this hard label-enforcing dichotomy the LGBT community loves so much. My other conflict is: Fanbaiting or actual dialogue about bisexuality? But Stiles has walked a pretty thin line between full acceptance of his gay buddies and genuine curiosity about gay stuff. We had Maya St. And, for the most part, their stories have treated their bisexuality as a non-issue.

John Cena, while not asz for a Best Diverse Beginning nomination, is adequate for the part he's pressing. Tho may also have something to do with the puzzle's writers. Stupid falls somewhere in between the two - a critical attempt by Shyamalan to burn the agent and bring back stabbing characters but, unhurried a compelling story, he constantly confessed ache-finished ideas.

Their stories are really about how some people just love who they love, regardless of gender. But you know and I know that TV is aimed at a straight white male audience more often than not, so sexualizing queer women is no big deal. It's a lot like Front Runner in that anyone with a rudimentary knowledge of politics will find the terrain familiar and a little stale. From the beginning, McKay seems unsure of his mission: Is it to provide a more comprehensive biography of the man's life, which included decades of civil service with a successful stint in the private sector sandwiched in between? Or it is to lampoon politics in the s and make fun of George W. At times, his Lady Macbeth-ish wife Lynne Amy Adams seems more driven than Cheney, who happily moves out of politics and into the public sector once Bill Clinton secures his place in Washington.

After a clever faux ending complete with credits rollVice moves into the Bush years, starting with George W. Vice isn't as insightful, incisive, or original. As an expose of the real reasons behind the invasion of Iraq, Vice relies heavily on public sources and, as a result, the film's conclusions are muddy. The film also largely ignores the rift that developed between Bush and Cheney during their second term in office - a division that led to the latter experiencing a significant decrease in his power. Three of the four principals provide credible re-creations of their real-life counterparts: Bush, and of Teen young boys ass Christian Bale as the title character.

Oddly, Steve Carell's Donald Rumsfeld doesn't recall the man many of us remember from the Bush administration - it's impossible to say whether this was an artistic choice on the part of the actor and director or whether an attempt failed. Carell has shown an aptitude for playing real people in the past - his work in Foxcatcher and Battle of the Sexes being a couple of examples. Bale, known for his willingness to change his physicality in order to become a character, crafts a version of Cheney that looks and sounds more like the former V.

As with any performance of this sort, the question of whether it's more of an "imitation" than a "portrayal" comes into play, but there's no arguing that the best part of Vice is Bale. Vice and Front Runner are two peas in a pod - re-creations of recent political theater that don't need to be exhumed. It appears to have been made for an agitated liberal base that's fascinated with dredging up Republican sins of the past but one has to wonder whether there's much of a movie-going audience for this sort of motion picture. With The Big Short, McKay used comedy, sleight-of-hand, and clever storytelling to shine the light into the shadows of the financial crisis.

With Vice, his beam isn't as bright and the darkness isn't as murky. In the awards season, Vice is something of an also-ran. Devoid of the complex plotting, comprehensive world-building, and narrative twists that defined Marvel's two big superhero movies, Black Panther and Avengers: Infinity War, Aquaman seems strangely out-of-step with where the genre is going. Constrained by the character's comic book origin, Aquaman refuses to do anything original or unpredictable and turns into a by-the-numbers tale of how the trident-carrying King of Atlantis becomes a protector of both land and sea. It accomplishes this by hoping that special effects saturation will compensate for screenplay weaknesses.

They followed up their only legitimate hit in recent years, Wonder Woman, with the execrable Justice League, which apparently nailed shut the coffin of DC superhero team-ups. Aquaman comes across as an afterthought - a "gee, maybe we should give this guy an origin story" apology to audiences looking for something more from a superhero who looks suspiciously like Kal Drogo. There are things to like about Aquaman but it's no Wonder Woman and often seems to be trying too hard. Also, with more and more superhero movies addressing social issues most notably Black PantherAquaman decided to stake out its claim by addressing humanity's pollution of the oceans.

While that's not a bad cause, it feels shoehorned in. When the Atlantians come calling, wanting their queen to return and fulfill her part of an arranged marriage, she goes back to protect her husband and young son. That boy grows up to be a strapping man with extraordinary strength, speed, and resistance to weapons. In flashbacks, we see him training with Viceroy Vulko Willem Dafoewho has been tasked by Atlanna - now dead after being sacrificed by her Atlantian husband to the "trench monsters" - with Arthur's safety. Skipping to the present day, we learn that Arthur's diabolical half-brother, King Orm Patrick Wilsonis planning a war against those who live in the world above.

He is joined by another of the underwater rulers, King Nereus Dolph Lundgren. Things don't go as planned. Following a resounding defeat at the hands of his half-brother, Arthur goes on the run with Mera. They are pursued not only by Atlantis' finest but a revenge-obsessed pirate Yaha Abdul-Manteen IIwho, outfitted with prototype armor and weapons supplied by Orm, calls himself "Manta. There are numerous missed opportunities where a slower, more deliberate approach might have been more efficacious, limiting the repetitive vibe of the quest-style narrative. They're not Tracy and Hepburn.

Jason Momoa, although charismatic and physically gifted, isn't well-suited to this sort of repartee. Amber Heard is worse, looking like a live-action Ariel wannabe who has a tendency to deliver her lines in a monotone. Director James Wan, known far and wide for horror movies, uses one of the staples of that genre in Aquaman: However, instead of having a cat leap out from behind a curtain, here it's an explosion. On at least three occasions, a seemingly-sedate moment is interrupted by a pyrotechnic blast loud enough to be heard halfway round the world and likely a couple of theater auditoriums away.

There's a law of diminishing returns bogs this sort of thing. The first time, it's unexpected. By the third instance, it's youmg for a drinking game. The special effects, although not always special as is sometimes the case with CGI overuse, there are times when its obvious the characters are digital representations rather than actorsare numerous. From Finding Nemo refugees to the twisted monsters of the trench, Wan populates the screen with as much bang as he can get for his buck. To his credit, the action sequences are generally well-executed although some of the frenetically paced battles can be difficult to follow and representative of the high-octane approach directors have taken to superhero smackdowns.

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Comparing Atlantis to Black Panther's Wakanda - two alien places that exist both within and apart from the "real" world - there's no question which hoys out better. More time, patience, and skill was invested by Ryan Coogler in his world-building than is evident in the scattershot approach in Aquaman. Wakanda feels "lived-in"; Atlantis does not. The care employed in establishing the reality of the former setting isn't evident in the latter, which relies almost exclusively on CGI. Atlantis is often pretty and at times breathtaking but the film's focus on visual elements detract from its ability to establish something that's more than Teen young boys ass an animated as in which the live-action actors can play.

Perhaps the biggest problem for Aquaman is timing. Had Tene movie arrived as recently as two years ago, it might have been heralded as a higher-end superhero movie. Twen Woman raised the bar then Black Panther elevated it more. Aquaman doesn't stand well side-by-side Teeen either and that makes it a mild disappointment for comic book fans and another potential stumbling block for those who are trying to raise DC's stable of heroes to the same level as Marvel's. Aquaman's box office may warrant a sequel but this doesn't represent a step forward for superhero movies. Use a line space between every question and answer and answer and answer, if more than one person is being interviewed.

On first reference, spell out entire name of interviewee; on second reference, use initials capped, no periods. If there are more than two individuals being interviewed, we may consider identifying interviewees on second reference by either their first or last names, if that lends clarity especially, for example, if there is dialogue among the interviewees where they refer to one another by their first names. Just use good judgment. Why are you so cool? Because I wear really fashion-forward pants. Be fun and wear cool pants, I guess.

Finding even more fashion-forward pants to wear. An update may also be added to alert the reader that an image has been removed or replaced since a post was initially published. This is a developing story. Check back for updates. A colon after the sentence that directly precedes a quote is fine; otherwise, aim for attribution within or after the first sentence of a quote. I like cats too. From the Chicago Manual of Style Online: What is the difference in usage between an em dash and an en dash? I will try to condense the various bits of information scattered throughout CMOS.

First of all, there are three lengths of what are all more or less dashes: The hyphen connects two things that are intimately related, usually words that function together as a single concept or work together as a joint modifier e. And in fact en dashes specify any kind of range, which is why they properly appear in indexes when a range of pages is cited e.


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